Taming Rochester Castle

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The summer Rochester Castle Gardens concerts
traditionally feature a wide range of artists, designed to encourage
a true cross-section of Kent’s Medway Towns population to
enjoy fine live music in a historic setting.
With six shows taking place from 12th-14th and 19th-21st July, the
2007 concerts featured Jools Holland, Smokey Robinson, Michael Bolton,
Ray Davies, the Royal Philharmonic Proms Orchestra and The Australian
Pink Floyd Show.
Such a variety of music requires a versatile audio system, so XTA
loudspeaker processing and a DiGiCo D5 Live console helped to bring
the music to the masses.
The 5000-capacity Rochester Castle Gardens site has neighbouring
residential areas and sound levels are a sensitive issue.
So XTA’s AudioCore software was essential for system tech
Al Woods, working for audio company Capital Sound, to tune the Martin
Audio PA.
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The system comprised a Martin W8LC line array with eight Martin
subs, driven by MA4.2 and I-Tech 8000 amplifiers and controlled
by XTA DP226s.
“We had to work to try and reduce the noise levels, because
there are houses nearby and we’re restricted to a certain
noise level outside,” says Al.
“That’s one of the reasons why we flew the PA this year,
rather than ground stacking it, so that we could get the sound down
onto the audience rather than skimming across their heads and outside
into the problem areas. We also had the eight subs stacked in a
cardiod configuration, which helped to further reduce any low frequency
issues.”
To achieve the required compact area of maximum volume, but then
having the sound level rapidly dropping outside that area, Al used
a Cisco wireless tablet system and AudioCore, which allowed him
to walk the entire open air site making adjustments to ensure that
noise for the nearby houses was kept to a minimum.
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At front
of house, the DiGiCo D5 console meant that every band’s FOH
engineer had the choice of the versatile D5 or easily patching in
their own, whichever they preferred.
“I put the stage box and the local rack at the mix position
with a MADI link, because some of the guest engineers brought analogue
consoles and I could just cross patch input, rather than having
to introduce another box at the stage end,” says Al. “I
mixed the Royal Philharmonic Proms Orchestra on the D5 and I was
very happy with the results.”
He continues: “The system worked well and, although we had
a good level at FOH, we managed to stay inside the very stringent
noise limits outside the Castle Gardens very successfully. Considering
the Castle is - by it’s nature - on high ground, it demonstrated
how successfully the system worked.”
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